Boeken
ACTON, T., MUNDY, G. (ed.), Romani culture and gypsy identity, Hertfordshire, University of Hertfordshire Press, 1997, 203 p.
ANDRIES, P., EELBODE, E., HENNEMAN, I., RUYS, C., SOMERS, D., TEN VOORDE, L., Belgische Fotografen 1840 – 2005, Antwerpen, Ludion, 2005, 320 p.
BANKS, M., MORPHY, H. (ed.), Rethinking visual anthropology, New Haven, Yale University Press, 1997, 306 p.
BARRETT, T., Criticizing Photographs : An introduction to understanding images, Mountain View, Mayfield Publishing Company, 1990, 180 p.
BARTHES, R., Œuvres Complétes, volume 1, 1942 - 1965, Paris, Editions du Seuil, 1993, 1179 p.
BELTING, H., Pour une anthropologie des images, Paris, Gallimard, 2004, 348 p.
BERENGO GARDIN, G, La Disperata Allegria: Vivere da Zingari a Firenze, Firenze, Centro Di, 1994, 174 p.
BHABHA, H., The location of culture, London, Routledge, 2004, 408 p.
BOOT, C. (ed.), Magnum Stories, London, Phaidon, 2004, 511 p.
CHEVRIER, J.F., SCHOLTEN, H., LUGON, O. (e.a.), Documentaire nu!: hedendaagse strategieën in fotografie, film en beeldende kunst, Rotterdam, Nai, 2005, 192 p.
COLLIER, J., COLLIER, M., Visual anthropology: photography as a research method, Albuquerque, University of New Mexico Press, (1967) 1986, 248 p.
CUAU, B. (ed.), Josef Koudelka, Paris, Centre National de la Photographie, 1984, s.p.
DELPIRE, R. (ed.), Koudelka, London, Thames & Hudson, 2006, 275 p.
ELIAS, W., SWINNEN, J., Fotografie in dialoog, Kortrijk, Groeninghe, 1999, 327 p.
EYCKEN, M., Roma-zigeuners: Overleven in een industriële samenleving, Leuven/Voorburg, Acco, 2006, 186 p.
GOLDBERG, V., Light Matters: Writings on photography, New York, Aperture, 2005, 248 p.
HALL, S. (ed.), Representations: cultural representations and signifying practices, London, Sage, 1997, 400 p.
HANNERZ, U., Transnational Connections: Culture, people, places, London, Routledge, 2003, 201 p.
HORVAT, F., Entre Vues, Paris, Nathan, 1990, 298 p.
JANS, E., Interculturele Intoxicaties: Over Kunst, Cultuur en Verschil, Berchem, Epo, 2006, 207 p.
KOCH, R., MAURO, A. (ed.), Gianni Berengo Gardin : Photographer, London, Thames & Hudson, 2005, 439 p.
KOUDELKA, J., Gitans: La fin du voyage, Paris, Delpire, 1975, s.p.
KUZNETSOVA, L., Gypsies : Free Spirits of the Open Steppe, London, Thames & Hudson, 1998, 144 p.
MARSH, A., STRAND, E. (ed.), Gypsies and the problem of identities : contextual, constructed and contested, Istanbul, Swedish research institute in Istanbul, 2006, 230 p.
MIGNOLO, W., Local Histories, Global Designs: coloniality, subaltern knowledges, and border thinking, Princeton, Princeton University Press, 2000, 296 p.
MIRZOEFF, N. (ed.), The Visual Culture Reader, Londen, Routledge, 1999, 530 p.
NORDSTRÖM, A. (ed.), Russia: chronicles of change, Daytona Beach, Southeast Museum of Photography, 1997, 24 p.
ORTIZ, F., Cuban Counterpoint: Tobacco and Sugar, Durham , Duke University Press, 1995, 408 p.
PINXTEN, R., DE MUNTER, K., De Culturele Eeuw, Antwerpen, Houtekiet, 2006, 237 p.
RAPPORT, N.,OVERING, J., Social and Cultural Anthropology: The Key Concepts, London, Routledge, 2003, 464 p.
SAID, E., Oriëntalisten, Antwerpen, Standaard Uitgeverij, 2005, 480 p.
SHADID, W.A., Beeldvorming: een verborgen dimensie bij interculturele communicatie, Tilburg, Tilburg University Press, 1994, 52 p.
SONTAG, S., Over Fotografie, Utrecht/Antwerpen, Bruna, 1980, 160 p.
SONTAG, S., Waar de nadruk ligt, Amsterdam, De Bezige Bij, 2002, 413 p.
SWINNEN, J., De paradox van de fotografie: Een kritische geschiedenis, s.l., Hadewijch/Cantecleer, 1992, 408 p.
SWINNEN, J., De Lichte Kamer: De onverborgen fotografie, Antwerpen, Garant, 2005, 170 p.
SZARKOWSKI, J., Looking at photographs, Paris, Idea Books International, 1976, 215 p.
TOBING RONY, F., The Third Eye: Race, cinema and ethnographic spectacle, Durham, Duke University Press, 1996, 300 p.
UYTTERHAEGEN, C., De bijsluiter: documentaire fotografie en fotojournalistiek, Gent, Academia, 1999, 300 p.
WARNER MARIEN, M., Photography: a cultural history, London, Laurence King Publishing, 2002, 528 p.
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WELLS, L. (ed.), The photography reader, New York, Routledge, 2003, 465 p.
YOORS, J., The Heroic Present : Life Among the Gypsies, New York, Monacelli Press, 2004, 160 p.
YOORS, J., J’ai vécu chez les tsiganes, Paris, Stock, 1968, 168 p.
Artikels
CARTIER BRESSON, H., DELPIRE, R., “Josef Koudelka: La Rage de Voir”, in: Clichés, 1988, nr. 44, p. 40-47.
CARL, K., “Uprootedness and reception in the photographs of Josef Koudelka”, in: Art Criticism, 1998, vol. 13, nr. 2, p. 25-41.
CHALIFOUR, B., “Modern Sublime: The world of Josef Koudelka at the Rencontres d’Arles”, in: Afterimage, 2003, vol. 30, nr. 5, p. 10 e.v.
DELPIRE, R., “Josef Koudelka”, in: Camera International, 1988, nr. 15, p. 60.
DU PLOOY, H., “Liminality and liminal figures in Islands by Dan Sleigh: A novel about early Dutch colonial history in South Africa”, in: Afrikaans in Europa, 2007, september.
EDWARDS, S., “Photography and the representation of the other: a discussion inspired by the work of Sebastiao Salgado”, in: Third-text, 1991, nr. 16-17, p. 157-172.
ELKINS, J., “Preface to the book A Skeptical Introduction to Visual Culture”, in: Journal of Visual Culture, 2002, nr. 1, p. 93-99.
FRASER, A., “The Gypsies by Jan Yoors”, in: Man, New Series, 1967, vol. 2, nr. 4, p. 657.
GOLDBERG, V., “A vagabond who sees the world starkly”, in: The New York Times, 2002, 18 augustus.
HAMILTON, P., “The Wanderer”, in: The British Journal of photography, 1996, nr. 7065, p. 10-13.
HUMAN, B., “Kodachrome Icons: photography, place and the theft of identity”, in: International Journal of Contemporary Hospitality Management, 1999, vol. 11, nr. 2/3, p. 80-84.
KOZLOFF, M., “Koudelka’s theater of exile”, in: Artforum, 1988, p. 100-106.
MARTIN, C., “Autobio-photography: Beauty and the “I” of the beholder”, in: Modern Fiction Studies, 1995, vol. 40, nr. 3, p. 543-545.
MAYNARD, P., “Portraits as displays”, in: Philisophical Studies, 2007, vol. 135, nr. 1, p. 111-121.
MC RAE, L., “Rethinking Tourism: Edward Said and a politics of meeting and movement”, in: Tourist Studies, 2003, nr. 3, p. 235-251.
MILLER, R.J., “Cross-cultural research in the perception of pictorial materials”, in: Psychological bulletin, 1973, vol. 80, nr. 2, p. 135-150.
MILLINGTON, M., “Transculturation: Contrapuntal notes to critical orthodoxy”, in: Bulletin of Latin American Research, 2007, vol. 26, nr. 2, p. 256-268.
MORTIMER, M., “Re-presenting the Orient: A new instructional approach”, in: French Review, 2005, vol. 79, nr. 2, p. 296-312.
PAAKSPUU, K., “Winning or losing the West: the photographic act”, in: Bulletin of Science, Technology and Society, 2007, vol. 27, nr. 1, p. 48-58.
P. BOWLES, J. (e.a.), “Art history at the limits of whiteness”, in: Art Journal, vol. 60, nr. 4, 2001, p. 38-67.
PORTER, A., “Koudelka, Josef: Monograph”, in: Camera, 1979, nr. 8, p. 4-6, 39-42.
ROMBOUTS, X., “Jozef Koudelka: fotografie op de rand van de afgrond”, in: Foto, 1991, nr.1/2, p. 22-29.
ROOX, I., “Italië beleeft opstoot vreemdelingenhaat”, in: De Standaard, 2008, jaargang 85, nr. 113, 16/05/08, p. 2-3.
ROOX, I., “Italië pakt illegalen keihard aan”, in: De Standaard, 2008, jaargang 85, nr. 113, 16/05/08, p. 16.
ROSE, G., “A review essay on Homi Bhabha’s The Location of Culture”, in: Environment and Planning D: Society and Space, 1995, vol. 13, p. 365-373.
ROSLER, M., “Negotiating new (his)stories of photography”, in: Art Journal, 1994, vol. 53, nr. 2, p. 53-57.
SEKULA, A., “The body and the archive”, in: October, 1986, vol. 39, winter, p. 3-64.
SCHNEIDER, A., “Uneasy relationships: contemporary artists and anthropology”, in: Journal of material culture, 1996, vol. 1, nr. 2, p. 183-210.
SILVERMAN, C., “Negotiating “Gypsiness”: Strategy in context”, in: The Journal of American Folklore, 1988, vol. 101, nr. 401, p. 273.
VRANCKX, J., “Jan Yoors, een Vlaamse zigeuner in New York”, in: De Gazet van Antwerpen, 1-5 maart 1975. (vierdelig artikel over Jan Yoors, verspreid over de verschillende dagen)
WAREHIME, M., “Writing the limits of representation, Balzac, Zola and Tournier on art and photography”, in: Sub-Stance, 1989, nr. 58, p. 51-57.
WENDL, T., “Warum sie nicht sehen, was sie sehen könnten: Zur Perzeption von Fotografien im Kulturvergleich”, in: Anthropos, 1996, vol. 91, nr. 1-3, p. 169-181.
X, “Gianni Berengo Gardin”, in: Camera International, 1985, nr.4, p. 50-59.
Digitale Bronnen
MRÁZKOVÁ, D., “Kuznetsova, Lyalya”, Grove Art Online, Internet, 12 november 2007, URL: http://www.groveart.com/shared/views/article.html?section=art.048403.
ZANNIER, I., “Berengo Gardin, Gianni”, Grove Art Online, Internet, 12 november 2007, URL: http://www.groveart.com/shared/views/article.html?section=art.008043.
Geluids-, beeld- en mondelinge bronnen
ARTE VIDEO, DVD Contacts 1: La grande tradition du photo-reportage, 2000.
BRUGGEN, Wolf Staf. Persoonlijk interview, 24 april 2008. (Zie Bijlage I)
EYCKEN, Maurits. Persoonlijk interview, 1 mei 2008. (Zie Bijlage II)