Bibliografie
1. Monografieën:
ABBING, H. 1989. Een Economie van de Kunsten. Groningen, Historische Uitgeverij, 273 p.
BERNDT, E.R., 1991, The Practice of Econometrics: Classic and Contemporary, Massachusetts, Addison-Wesley Publishing Company, 702 p.
DE GRAUWE, P. 1990. De Nachtwacht in het Donker. Over Kunst en Economie. Tielt, Lannoo, 180 p.
DE MONTHOUX, P.G. 1991. Action an Existence: Art and Anarchism for Business Administration. Starnberg, Novotny, 294 p.
DESPONTIN, M. 2002. Cursus Multivariate Analyse. Brussel, VUBPress, 119 p.
DILLEMANS, R. & SCHRAMME, A. 2005. Wegwijs Cultuur. Leuven, Davidsfonds, 392 p.
FREY, B.S. 2000. Arts and Economics: Analysis & Cultural Policy. Berlin, Springer- Verslag, 240 p.
GRILICHES, Z. 1971. Price Indexes and Quality Change. Cambridge, Harvard University Press, 287 p.
HEILBRUN, J. & GRAY, C.M. 2001. The Economics of Art and Culture. Cambridge, University Press, 410 p.
KOTLER, P., ARMSTRONG, G., e.a. 2003. Principes van Marketing. Pearson Education Benelux, 975 p.
MATTHIJS, H., NAERT, F. & VUCHELEN, J. 2001. Handboek openbare financiën. Antwerpen, Intersentia, 446 p.
MOSSELMANS, B. 2001. Kunst te Koop? Over Bruggen en Breuken tussen Kunst en Economie. Roeselare, Roularta Books, 170 p.
SEGERS, K. 1992. Sponsoring in België. VUBPress. Grimbergen, Brussel en Variety NV, 278 p.
TOWSE, R. 2003. A Handbook of Cultural Economics. Cheltenham, Elgar, 494 p.
VAN PUFFELEN, F. 2000. Culturele Economie in de Lage Landen. De Bijdrage van Nederlandse en Vlaamse economen aan kunstbeleid en kunstmanagement. Meppel, Krips, 189 p.
VARIAN, H.R. 1999. Intermediate Microeconomics: A Modern Approach. New York & London, W.W.Norton & Company. 662 p.
VERMEYLEN, F. 2003. Painting for the Market: Commercialization of Art in Antwerp’s Golden Age. Turnhout, Brepols Publishers N.V., 208 p.
2. Kunstboeken:
VAN JOLE, M., CLAES, T., ZIMMERMAN, Y. & VAN BUYNDER, E. 2002. Art at the Airport. Lier, Antilope N.V., 303 p.
EMERSON, B. 1985. Delvaux. Antwerpen, Mercator fonds, 279 p.
3. Eindverhandelingen:
BLEYENBERG, A. 2004. De bedrijfswereld en non-profit sector: “Waarom zoeken bedrijven zinvolle relaties met cultuur?. Eindverhandeling, Rijksuniversiteit Gent, Faculteit Economie en Bedrijfskunde, 62 p.
DEGRIECK, K. 1991. De Kunsthandel en de Kunstbelegging. Eindverhandeling, Vrije Universiteit Brussel, Faculteit ESP, 103 p.
MANNAERTS, C. 1995. De Aankoop en de Verkoop op de Kunstmarkt: Economische, Financiële, Fiscale en Juridische Aspecten. Eindverhandeling, Vrije Universiteit Brussel, Faculteit ESP, 105 p.
4. Artikels in tijdschriften:
AGNELLO, R.J. & PIERCE, R.K. 1996. Financial Returns. Price Determinants and Genre Effects in American Art Investment. In: Journal of Cultural Economics 20: p. 359-383.
ASHENFELTER, O. 1989. How Auctions Work for Wine and Art. In: Journal of Economic Perspectives 3 (3): p. 23-36
ASHENFELTER, O. & GRADDY, K. 2003. Auctions and the Price of Art. In: Journal of Economic Literature XLI: p. 763-787
BAUMOL, W.J. 1986. Unnatural Value: Art Investment as Floating Crap Game. In: American Economic Review 76: p.10-14
BUELENS, N. & GINSBURGH, V. 1991. Revisiting Baumol’s Unnatural Value or Art as a Floating Crap Game. In: European Economic Reviews 37. p. 1351-1371.
CHANEL, O., GéRARD-VARET, L.A. & GINSBURGH, V. 1996. The Relevance of Hedonic Price Indices: The Case of Paintings. In: Journal of Cultural Economics 20: p.1-24.
CONNIFFE, D. & DUFFY, D. 1999. Irish House Price Indices – Methodological Issues. In: The Economic and Social Review 30 (4): p.403-423.
GINSBURGH, V., MEI, J. & MOSES, M. 2004. Prices and Returns. In: Journal of Economic Perspectives 3: p.23-36
HULTEN, C.R. 2003. Price hedonics: A Critical Review. In: Economic Policy Review 9: p.5-15
LANCASTER, K.J. 1966. A New Approach to Consumer Theory. In: Journal of Political Economics 74: p.132-157
LOCATELLI, M. & ZANOLA, R. 2003. The market for Picasso Prints: An Hybrid Model Approach. In: Journal of Cultural Economics: p.1-28
MEI, J. & MOSES, M. 2002. Art as an investment and the underperformance of masterpieces. In: American Economic Review 92: p.1656-1668.
MEI, J. & MOSES, M.. 2004. Vested Interest and Biased Price Estimates: Evidence from an Auction Market . In: Journal of Finance. (Forthcoming).
PESANDO, J.E. 1993. Art as an Investment: The Market for Modern Prints. In: The American Economic Review 83 (5): p.1075-1089.
PESANDO, J.E. & SHUM, P.M. 1999. The returns to Picasso’s Prints and to Traditional Financial Assets, 1977 to 1996.In: Journal of Cultural Economics 23: p. 182-192
RENNEBOOG, L. & VAN HOUTTE, T. 1998. The Monetary Appreciation of Paintings: from Realism to Magritte. In: Brussels Economic Review 165: p.69-106
WANG, F.T. & ZORN, P.M. 1999. Estimating House Price Growth with Repeat Sales Data: What’s the Aim of the Game?. In: Journal of Housing Economics 6: p.93-118.
WIELAND, K., DONALDSON, J. & QUINTERO, S. 1998. Are Real Assets Priced Internationally? Evidence from the Art Market. In: Multinational Finance Journal 2 (3): p.167-187.
5. Working Papers en Discussion Papers:
CHANEL, O., GERARD-VARET, L.A. & GINSBURGH, V. 1994. Prices and Returns on Paintings – An Exercise on how to Price the Priceless. Geneva Papers on Risk and Insurance Theory 19 (1): p.7-21.
CLAPHAM, E., ENGLUND, P., QUIGLEY, M. & REDFEARN, C. 2004. Revisiting the Past: Revision in Repeat Sales and Hedonic Indexes of House Prices. Working paper No. W04-005. Fisher Center for Real Estate and Urban Economics, University of California, Berkeley.
D’SOUZA, C. & PRENTICE, D. 2001. Auctioneer Strategy and Pricing: Evidence from an Art Auction. Discussion paper. La Trobe University. School of Business.
GINSBURGH, V. & SCHWED, N. 1992. Price Trends for Old Masters’ Drawings: 1980- 1991. Discussion Paper. Université Libre de Bruxelles. 16 p.
GOETZMANN, W.N. 1998. The Effect of Seller Reserves on Market Index Estimation. Working Paper. Yale School of Management, 17 p.
GOETZMANN, W.N. & PENG, L., 2001, The Bias of the RSR Estimator and the Accuracy of Some Alternatives, NBER Technical Working Papers 0270, National Bureau of Economic Research, Inc, 37 p.
GRILICHES, Z. 1961. Hedonic Price Indexes for Automobiles: An Econometric Analysis of Quality Change. The Price Statistics of the Federal Government, NBER Staff Report no. 3, General Series, no. 73, New York. p. 173-96.
GRILICHES, Z. 1990, Hedonic Price Indexes and the Measurement of Capital and Productivity: Some Historical Reflections, in Fifty Years of Economic Measurement: The Jubilee of the Conference on Research in Income and Wealth, , NBER Studies in Income and Wealth (54). Chicago, University of Chicago Press. p.185-202
PICCI, L. & SCORCU, A.E. 1999. Price Dynamics in Sequential Auctions. New Evidence using Art Auction Data. Working Paper 352. Universita degli studi di Bologna. 16 p.
6. Artikels in verzamelwerken:
COURT, A.T. 1939. Hedonic Price Indexes with Auto motive Examples. In: The Dynamics of Automobile Demand, General Motors Corporation, New York: p. 99-117.
DE PILES, R. 1708. Cours des Peintures par Principes. In THUILLIER, J. 1989. In: Balance des Peintres. Paris: Gallimard. Appendix.
GINSBURGH, V. & WEYERS, S. 2003. On the Contemporaneousness of Roger de Piles’ Balance des Peintres. In: AMARIGLIO, J., CULLENBERG, S. & CHILDERS, J. The aesthetics of value. London: Routeledge.24 p.
ROSENTHAL, N., 1997: The blood must continue to flow. In: the companion book to the Sensation exhibition. In: ROSENTHAL, N, et al., 1997, Sensation: Young British Artists from the Saatchi Collection. London: Thames and Hudson, p.8-11.
TRIPLETT, J.E. 2004. Handbook on Hedonic Indexes and Quality Adjustments in Price Indexe: Special Application in Information Technology Products. Directorate for science, Technology and Industry. Paris: Organization for Economic Co-operation and Development.
Hoofdstuk 3, p.1-65, Forthcoming.
http://www.brookings.edu/views/papers/triplett/200407_book.htm
7. Krantenartikels:
MICHIELS, A., 2005, Veilinghuis Campo en Campo zet aanval in tegen Aldi-kunst, De Nieuwe Gazet, 08/04/2005, p21.
N.N., 2005, Kunstenaars en bedrijven vullen elkaar perfect aan, Het Nieuwsblad, 03/01/2005.
N.N. 2000. Art and Industry. Art Monthly. No.237. 06/2000: p19.
RUYTERS, M. 1995. Nieuwe b.t.w.-regeling slechts spreekwoordelijke druppel. Kunstgalerist, een bedreigd beroep?. De Financieel-economische Tijd. 08/04/1995.
VANDERSMISSEN, M. 1998. Kunstwerken zijn geen Luxeproducten. Grote willekeur bij btw-tarieven in culturele sector. De Standaard. 20/03/1998.
RAMPART, E. 2005. De Racewagen is Thuis. Gazet Van Antwerpen, 20/07/2005.
8. Onderzoeken en andere:
ASHENFELTER, O. & GRADDY, K. 2004. Art Auction. Prepared for the Conference of Art and Culture organized by ECARES at the University of Princeton. 41 p.
BEROEPSVERENIGING VAN HANDELAARS IN MODERNE EN HEDENDAAGSE KUNST.1995. Persconferentie: Nieuwe BTW-regeling. 20/04/1995. 2 p.
HIETBRINK, S., VAN PUFFELEN, F., WESSELING, J. 1985. De Economische Betekenis van de Professionele Kunsten in Amsterdam. In opdracht van de Stichting voor Economisch Onderzoek der Universiteit van Amsterdam. 246 p.
LIEVENS, B., SEGERS, K. 2004. Zaken voor de Kunst: Bedrijfssponsoring in de Muziek en Podiumkunstensector in Vlaanderen. In opdracht van het ministerie van de Vlaamse Gemeenschap. Administratie Cultuur: 219 p.
http://www.wvc.vlaanderen.be/cultuurbeleid/onderzoek/zakenvoordekunst/z…
_onderzoeksrapportbedrijfsponsoring_muziekenpodiumkunsten.doc
MINISTERIE VOOR ONDERWIJS, CULTUUR EN WETENSCHAPPEN. 2001. De markt voor beeldende kunst en financiële positie van beeldende kunstenaars. In opdracht van het Ministerie van Onderwijs, Cultuur en Wetenschappen. Nederland.
http://www.minocw.nl/kunsten/marktkunst.pdf
PESANDO, J.E. 2002. The Auction Market for Modern Prints: What have We learned about Art as an Investment? . Prepared for Conference entitled “Beautiful Assets: Art as an Investment,” Stern School of Business, New York University, November 8, 2002. 18 p.
http://culturalpolicy.uchicago.edu/workshop/artpaper.pdf
VELTHUIS, O. 2003. Promoters versus Parasites: Art Dealers, Auction Houses and the Contested Potential of Art as an Investment. Prepared for Constance International Conference on the Social Studies of Finance. 21 p.
9. Papers op het internet:
ASHENFELTER, O., GRADDY, K. & STEVENS, M. 2002. A Study of Sale Rates and Prices in Impressionist and Contemporary Art Auctions. Working Paper. Oxford University. United Kingdom. 43 p.
http://www.econ.ox.ac.uk/members/kathryn.graddy/research/auctionsurvey…
BENHAMOU, F. & GINSBURGH, V. 2005. Copies of Artworks: The Case of Paintings and Prints. Working Paper. Université Libre de Bruxelles. Belgium. 34 p.
http://www.ecare.ulb.ac.be/ecare/people/members/ginsburgh/papers/15.cop…
CANDELA, G., FIGINI, P. & SCORCU, A.E. 2003. Price Indices for Artists – A Proposal. Working Paper. University of Bologna. Italy. 23 p.
http://amsacta.cib.unibo.it/archive/00000609/01/491.pdf
GINSBURGH, V., MEI, J. & MOSES, M. 2005. On the computation of price indices. Discussion Paper. Université Libre de Bruxelles. Belgium. 40 p.
http://www.ecare.ulb.ac.be/ecare/people/members/ginsburgh/papers/rsr-he…
HIGGS, H. & WORTHINGTON, A.C. 2004. Financial Returns and Price Determinants in the Australian Art Market, 1973-2003. Discussion Paper 184. Queensland University of Technology. Australia. 29 p.
http://www.bus.qut.edu.au/schools/economics/research/documents/DPNo184- WorthingtonHiggs.pdf
MADE, C. 2004. Contemporary Patronage: Corporate Art Investment. Working Paper. University of St-Andrews. United Kingdom. 72 p.
http://eprints.standrews.
ac.uk/archive/00000356/01/Caroline_Made_dissertation_no_illustrations.pdf
RUBINO, L.A. 2001. Art as an Asset Class. Working Paper. Universita di Milano. Italy. 24 p.
http://faculty.fuqua.duke.edu/~charvey/Teaching/Independent_Studies_200…
VON AUER, L. 2004. The Hedonic Regression Time-Dummy Method and the Monotonicity Axioms. Discussion Paper. University of Magdeburg. Germany. 3 p.
http://www.ipeer.ca/papers/comments/Auer,Aug.%209,%20comment%20on%20Mel…
SSHRC%20paper%2016,%20July%2020,%202004.pdf
10. Artikels op het internet:
GWEE, J. 2004. The Place of Art in Corporations. Discussion Paper. Singapore Institute of Management. http://www1.sim.edu.sg/sim/pub/mag/sim_pub_mag_list.cfm?ID=1465
HARRISON, S. 2002. Censorship and Controversy in Contemporary Art. CSA.
http://www.csa.com/hottopics/art/overview.php
N.N., 2005, Kunstendecreet krijgt 16 miljoen euro extra, De Financieel-economische Tijd, 24/06/2005. http://www.tijd.be/nieuws/artikel.asp?Id=1786515
N.N., 2005, Prova-car van Panamarenko blijft in Vlaanderen, De Financieel-economische Tijd. 24/06/2005, http://www.tijd.be/vrije_tijd/artikel.asp?Id=1786498
PALUDAN, J.P. 2001. Art and Art Museums of the future. Copenhagen Institute For Futures Studies. 24/09/2001. http://www.cifs.dk/scripts/artikel.asp?id=457&lng=2
PECOIL, V., 2002, Brand Art, Art Monthly, No 265, 04/2002, p1-6, www.artmonthly.co.uk
SPITTLES, D. 2001. Art for Work’s Sake. Evening Standard. Londen. 11/07/2001.
http://www.findarticles.com/p/articles/mi_qn4153/is_20010711/ai_n119801…
11. Gebruikte Websites:
http://www.arteconomy.be/history.php
http://web.artprice.com/start.aspx?l=en
http://www.christies.com/home_page/home_page.asp
http://www.compagnie.be/
http://faculty.washington.edu/krumme/350/impacts.html
http://www.gotim.be/BUP
http://hmestrum.blogs.com/photos/uncategorized/maslow.jpg
http://www.ibknet.be
http://ke-congres.hku.nl/3scenarios-pagina.html
http://www.kunstenloket.be
http://www.littlevangogh.com
http://www.minocw.nl/cultuurbeleid/nota1/15.html
http://www.saatchi- gallery.co.uk/charlesqa/qa.htm
http://search.sothebys.com/
National Survey of Business Support to the Arts, 2004, Business Committee for the Arts, Inc.
http://www.bcainc.org/programs.asp?pg=5#drls
de CPI for Urban Consumers, US Department for Labor Statistics,
https://ep.eur.nl/bitstream/1765/785/1/TOWSE+EBOOK_pages0155-0163.pdf
uit ftp://ftp.bls.gov/pub/special.requests/cpi/cpiai.txt
12. Publicaties bij Banken:
ASAERT, W., 2004, Kunst & Antiek als beleggingsvorm: Hoe is de interesse voor kunst en antiek als beleggingsproducten? Wat zijn Fine Arts Funds? Een Gesprek met Private Bank Mees Pierson, Look-Out Beleggingen, p.145-150
N.N., Fine Art Fund investeert in Topkunst: van El Greco tot Luc Tuymans, Quarterly Magazine, Mees Pierson
N.N., 2001, Hedendaagse kunst uit Zuid-West Vlaams privé bezit, ING, p.9-10
N.N., 2000, ForwArt, ING, p.18-21
N.N. 1997. BBL - La collection d' Art. BBL - De Kunstverzameling. BBL - The Art Collection.
BBL - Die Kunstsammlung. Brussel: Wrappers. 294 p.
N.N., , Art@work, ING ,p10-13
13. Interviews:
· BEX, F., verschaffen van informatie omtrent de Contraprestatie in Nederland, zie p.55.
· COLMANT, A., telefonisch en schriftelijk onderhoud, zie bijlage: p.148.
· DE BAERE, B., bezorgen van literatuur
· GINSBURGH, V., 15 maart 2005, zie onderliggende informatie in hoofdstuk 4: p.59-116.
· JASPERS, P, 11 april 2005, zie bijlage: p.149-151.
· PETRE, A., 23 februari 2005, zie bijlage, p.143-147.
· RAEMDONCK, A. 5 augustus 2005, zie hoofdstuk 4, onderliggende informatie over de galeries: p.49.
· ROTSART, O., 8 april 2005, zie bijlage: p.136-139.
· VAN DE VELDE, H., 14 maart 2005, zie bijlage: p.129-135.
· VANHOVE, D., 21 maart 2005, zie bijlage: p.139-142.
· VAN BUYNDER, E, 4 augustus 2005, algemene informatie en overaanbod.
· VAN JOLE, M., 29 juli 2005, zie onderliggende informatie in hoofdstuk 1: p.9-13.
14. Debatten:
ArtBrussels, Drieëntwintigste Hedendaagse Kunstbeurs: 16 April 2005:
1)‘Private Collection – Public Connection’ (Panel: Anne Pontgnie, Eva Gonzalez-Sancho, Francis De Beir, Mario Cristiani, inleiding door Pascal Gielen, moderators: Bart De Baere en Wim Peeters)
2)‘How can Trade adapt to Artists’ (Panel: Chris Dercon, Mic hael Neff, Els Opsomer, Gert Robijns, moderators: Bart De Baere en Wim Peeters)