Literatuurlijst
Academische bronnen
Adamou, C. (2011). Evolving portrayals of masculinity in superhero films: Hancock. In R. Gray & B. Kaklamanidou (Eds.), The 21st century superhero: Essays on gender, genre and globalization in film, (pp. 94-110). London: McFarland & Company, Inc.
Agirre, K. (2012). ‘Whenever a man takes you to lunch around here’: Tracing post-feminist sensibility in Mad Men. Catalan Journal of Communication & Cultural Studies, 4(2), 155-170.
Alberich, R., Miro-Julia, J., & Rossello, F. (2002). Marvel Universe looks almost like a real social network. Preprint, arXiv id 0202174, 1-14. Ashfield, C. (2015). Captain Marvel and the conflict in the feminist potential of contemporary Marvel Comics. Interdisciplinary, 1-10.
Bainbridge, J. (2010). “I am New York” – Spider-man, New York City and the Marvel Universe. In J. Ahrens & A. Meteling (Eds.), Comics and the city: Urban space in print, picture and sequence (pp. 163- 182). New York: Continuum.
Besley, T. J., & Prat, A. (2002). Handcuffs for the grabbing hand? Media capture and government accountability. American Economic Review, 96(3), 720-736.
Burke, L. (2012). ‘Superman in Green’: An audience study of comic book film adaptations Thor and Green Lantern. Participations: Journal of Audience & Reception Studies, 9(2), 97-119.
Coker, C. (2012). Earth 616, Earth 1610, Earth 3490—Wait, what universe is this again? The creation and evolution of the Avengers and Captain America/Iron Man fandom. Transformative Works and Cultures, 13, doi:10.3983/twc.2013.0439.
Coogan, P. (2006). Superhero: The secret origin of a genre. Austin, Texas: MonkeyBrain Books.
Cheu, J. (2013). Introduction: Re-casting and diversifying Disney in the age of globalization. In J. Cheu (Ed.) Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality and disability (pp 1- 8). North Carolina, Jefferson: McFarland.
De Kosnik, A. (2012). Fandom as free labor. In T. Scholz (Ed.), Digital labor: The internet as playground and factory (pp. 98-111). New York: Routledge.
Fernandez, C. (2013). Déjà new in Joss Whedon’s Marvel’s The Avengers. Limina: A Journal of Historical and Cultural Studies, 18 (2), 1-15.
Gill, R. (2007). Postfeminist media culture: Elements of a sensibility. European journal of cultural studies, 10(2), 147-166.
Glaser, B. G., & Strauss, A. L. (2009). The discovery of grounded theory: Strategies for qualitative research. London: Transaction Publishers.
Goddard, K. (2000). “Looks maketh the man”: The female gaze and the construction of masculinity. The Journal of Men's Studies, 9(1), 23-39.
Gray, R. (2011). Vivacious vixens and scintillating super hotties: Deconstructing the superheroine. In R. Gray & B. Kaklamanidou (Eds.), The 21st century superhero: Essays on gender, genre and globalization in film, (pp. 75-93). London: McFarland & Company, Inc.
Gray, R. & Kaklamanidou, B. (2011). The 21st century superhero: Essays on gender, genre and globalization in film. London: McFarland & Company, Inc.
Hadas, L. (2014). Iron man 3: Launching phase 2. Scope: an online journal for film and television studies, (26), 4-7.
Hall, s. (1980). Encoding/decoding. In S. Hall, D. Hobson, A. Love, & P. Willis (Eds.), Culture, Media, Language, pp. 128–138. London: Hutchinson.
Hughes, D. (2007). Comic book movies. London: Virgin Books.
Jenkins, H. (1995). At other times, like females: Gender and Star Trek fan fiction. In H. Jenkins & J. Tulloch (Eds.), Science fiction audiences: Watching Doctor Who and Star Trek, (pp. 196-212). London: Routledge.
Jenkins, H., & Tulloch, J. (1995). Beyond the Star Trek Phenomenon: Reconceptualizing the Science Fiction Audience. In H., Jenkins & J. Tulloch (Eds.), Science fiction audiences: Watching Doctor Who and Star Trek, (pp. 3-24). London: Routledge.
Jenkins, H. (2010). Transmedia storytelling and entertainment: An annotated syllabus. Continuum: Journal of Media & Cultural Studies, 24(6), 943-958.
Johnson, D. (2007). Will the real Wolverine please stand up? Marvel’s mutation from monthlies to movies. In I. Gordon, M. Jankovich & M. McAllister (Eds.), Film and comic books, (pp. 64-85). University Press of Mississippi.
Johnson, D. (2012). Cinematic destiny: Marvel studios and the trade stories of industrial convergence. Cinema Journal, 52(1), 1-24.
Johnson, D. (2013). Media franchising: Creative license and collaboration in the culture industries. New York: New York University Press.
Kaklamanidou, B. (2010). The mythos of patriarchy in the X-Men films. In R. Gray & B. Kaklamanidou (Eds.), The 21st century superhero: Essays on gender, genre and globalization in gilm, (pp. 61-74). London: McFarland & Company, Inc.
Lunt, P., & Livingstone, S. (1996). Rethinking the focus group in media and communications research. Journal of communication, 46(2), 79-98.
McGee, M. (2014). Big men in spangly outfits: Spectacle and masculinity in Joss Whedon’s The Avengers. Slayage: The Journal of the Whedon Studies Association, 11(12.1), 1-14.
McRobbie, A. (2004). Post-feminism and popular culture. Feminist Media Studies, 4(3), 255-264.
McRobbie, A. (2009). The aftermath of feminism: Gender, culture and social change. London: Sage.
Merriam, S., & Tisdell, E. (2015). Qualitative research: A guide to design and implementation. San Fransisco: John Wiley & Sons.
Mulvey, L. (1975). Visual pleasure and narrative cinema. In M. G. Durham & D.G. Kellner (Eds.) Media and cultural studies (pp. 393-404). Oxford: Blackwell Publishing.
Murdock, G. & Golding, P. (1973). For a political economy of mass communications. Socialist Register, 10(10), 205-234.
Philips, J. (2015, september). ‘She has to be controlled’: The monstrous-feminine and the cinematic Xwomen. Paper gepresenteerd voor de University of Oxford, Mansfield College, Oxford.
Proctor, W. (2014). Avengers assembled: The Marvel transmedia universe. Scope: an online journal for film and television studies, (26), 8-16.
Rauscher, A. (2010). The Marvel Universe on screen: A new wave of superhero movies. In M. Berninger, J. Ecke & G. Haberkorn (Eds.), Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives, (pp. 21-32). North Carolina, Jefferson: McFarland & Company, Inc.
Santos, K. (2015.) The Black Widow enigma: Investigating the paradoxical political potential of collective (post)feminist representation in the Marvel Cinematic Universe. Interdisciplinary, 1-9.
Taylor, A. (2014). Avengers dissemble! Transmedia superhero franchises and cultic management. Journal of Adaptation in Film & Performance, 7(2), 181-194.
Tulloch, J. (1995). “But why is Doctor Who so attractive?” Negotiating ideology and pleasure. In H. Jenkins & J. Tulloch (Eds.), Science fiction audiences: Watching Doctor Who and Star Trek, (pp. 108- 124). London: Routledge
Van Dyke, M. (2006). What's going on? Black identity in the Marvel age. International Journal of Comic Art, 8(1), 466-90.
Walderzak, J. (2016). Rebooting the damsel: The transformation of the damsel archetype in SpiderMan, Superman, and Batman films from 1978-2014. Studies in the Fantastic, 3(1), 45-75.
Wasko, J. (2003). How Hollywood works. London: SAGE.
Niet academische bronnen
Claeys, M. (2016, 17 mei). Vrouwelijke Suicide Squad-spin-off in de steigers. Vertigo. Goldberg, L. (2016, 12 mei). 'Agent Carter' canceled at ABC; 'Marvel's most wanted' not moving forward. Geraadpleegd op 13 mei 2016 op het World Wide Web: http://www.hollywoodreporter.com/live-feed/agent-carter-canceled-at-abc…
Graser, M. (2009, 31 augustus). Disney to buy Marvel for $4 billion. Variety. Graser, M. (2014, 28 oktober). Marvel announces new wave of superhero movies. Variety. Holmes, A. (2016, 17 mei). How fans are responding to Agent Carter’s cancellation. Geraadpleegd op 17 mei 2016 op het World Wide Web: http://www.cinemablend.com/television/How-FansResponding-Agent-Carter-C…
Jayson, J. (2016, 13 mei). 90% of the Black Panther cast will be African or African American. Geraadpleegd op 14 mei 2016 op het World Wide Web: http://comicbook.com/marvel/2016/05/13/90-of-the-black-panther-cast-wil… Puchko, K. (2014, 24 oktober). The Wonder Woman movie is going to make history, here’s how. Geraadpleegd op 14 mei 2016 op het World Wide Web: http://www.cinemablend.com/new/WonderWoman-Movie-Going-Make-History-Her…
Romano (2015, 29 juni). When Marvel will add an LGBT character to the movies. Geraadpleegd op 20 maart 2016 op het World Wide Web: http://www.cinemablend.com/new/Marvel-Add-An-LGBTCharacter-Movies-72288… 30 Rosenberg, A. (2016, 27 april). Marvel defends 'Doctor Strange' casting with new character info. Mashable.
Ross, E. (2015) Filmish: A graphic journey through film. London: Selfmadehero. Shaw-Williams, H. (2014, 17 maart). Kevin Feige says Marvel has no firm plans for a female superhero movie. Geraadpleegd op 20 maart 2016 op het World Wide Web: http://screenrant.com/ms-marvelblack-widow-movie/
Films
De Line, D. (Producer), Berlanti, G. (Producer) & Campbell, M. (Regisseur). (2011). The Green Lantern. [Film].
Feige, K. (Producer) & Black, S. (Regisseur). (2013). Iron Man 3. [Film]. Feige, K. (Producer) & Branagh, K. (Regisseur). (2011). Thor. [Film].
Feige, K. (Producer) & Coogler, R. (Regisseur). (2018). Black Panther. [Film]. Feige, K; (Producer) & Derrickson, S. (Regisseur). (2016). Doctor Strange. [Film].
Feige, K. (Producer) & Gunn, J. (Regisseur). (2014). Guardians of the Galaxy. [Film]. Feige, K. (Producer) & Reed, P. (Regisseur). (2015). Ant-Man. [Film].
Feige, K. (Producer), Russo, J. (Regisseur) & Russo, A. (Regisseur). (2016). Captain America: Civil War [Film].
Feige, K. (Producer), Russo, J. (Regisseur) & Russo, A. (Regisseur). (2014). Captain America: The Winter Soldier. [Film].
Feige, K. (Producer) & Whedon, J. (Regisseur). (2012). The Avengers. [Film].
Televisieseries
Brown, G. (Producer) & Cheramie, C. (Producer). (2013) Agents of S.H.I.E.L.D. [Televisieserie]. Verenigde Staten, American Broadcast Company.
White, S. (Producer). (2015). Agent Carter. [Televisieserie]. Los Angeles, Californië, American Broadcast Company.