9.1. Primary Literature
Banville, John. Mefisto. London: Picador, 1986. Print.
---. The Book of Evidence. London: Picador, 1989. Print.
---. Eclipse. London: Picador, 2000. Print.
---. Ancient Light. London: Penguin Books, 2013. Print.
---. The Blue Guitar. London: Penguin Random House UK, 2015. Print.
9.2. Secondary Literature
Ayers, Mary. Mother-Infant Attachment and Psychoanalysis: The Eyes of Shame. East Sussex: Routledge, 2003. Print.
Berger, John. Ways of Seeing. London: Penguin Group, 1972. Print.
Bonomi, Carlo. “Narcissism as mastered visibility: The evil eye and the attack of the disembodied gaze.” International Forum of Psychoanalysis 19.2 (2010): pp. 110 – 119. Web.
Coughlan, Patricia. “Banville, the Feminine, and the Scenes of Eros.” Irish University Review 36.1 (2006): pp. 81-101. Web.
Dell’Amico, Carol. “John Banville and Benjamin Black: The Mundo, Crime, Women.”Eire-Ireland 49.1-2 (2014): pp. 106-120. Web.
Delistraty, Cody. “John Banville on the Utter Mystery of Writing”. The New Yorker. 18 Sept. 2015. Web. 15 May 2016.
D’hoker, Elke. “Portrait of the other as a woman with gloves: Ethical perspectives in John Banville’s The Book of Evidence.” Critique 44.1 (2002): pp. 23-37. Web.
---. Visions of Alterity: Representation in the Works of John Banville. Amsterdam: Rodopi, 2004. Print.
Ghassemi, Mehdi. Precarious Subjectivity in the Work of John Banville: A Lacanian Reading. KU Leuven, 2015. Web. 2nd of May 2016.
Haughton, Hugh and Bryan Radley. An interview with John Banville. Modernism/Modernity 18.4(2011): pp. 855-869. Web.
Kenny, John. John Banville. Dublin: Irish Academic Press, 2009. Print.
---. “Well Said Well Seen: The Pictorial Paradigm in John Banville’s Fiction.” Irish University Review 36.1 (2006): pp. 52-67. Web.
McMinn, Joseph. “Naming the World: Language and Experience in John Banville's Fiction.” Irish University Review 23.2 (1993): pp. 183-196. Web.
Minsky, Rosalind. Psychoanalysis and Gender. London: Routledge, 1996. Print.
Müller, Anja. “You have been framed: the function of ekphrasis for the representation of women in John Banville’s trilogy (The Book of Evidence, Ghosts, Athena).” Studies in the Novel36.2 (2004): pp. 185-205. Web.
O'Connell, Mark. John Banville's Narcissistic Fictions. Basingstoke: Palgrave Macmillan, 2013. Print.
Reynders, Sasja. The Other Self: The trouble with identity in Amphitryon, God’s Gift and The Infinities. KU Leuven, 2014. Web. 12th April.
Robins, Richard W., Jessica L. Tracey and Phillip R. Shaver. “Shamed into Self-Love: Dynamics, Roots, and Functions of Narcissism.” Psychological Inquiry 12.4 (2001): 230-236 pp. Web.
Schwall, Hedwig. “ ‘Mirror on Mirror Mirrored Is All the Show’: Aspects of the Uncanny in Banville’s Work with a Focus on “Eclipse”.” Irish University Review 36.1 (2006). Web. 15 April 2016.
Schwall, Hedwig and Kristien Hens. “Signs and signets: the Lacanian RIS system in John Banville’s Mefisto.” Kortrijk: Campus Kortrijk, 1999. Print.
Weineck, Silke-Maria. “Kleist and the Resurrection of the Father.” Eighteenth-Century Studies 37.1 (2003): pp. 69-89. Web. 15 April 2016.
Wilkinson, Robin. “Echo and Coincidence in John Banville’s “Eclipse”.” Irish University Review 33.2 (2003). Web. 15 April 2016.
9.3. Media
/. “Art lives – Being John Banville”. Video. Youtube. /, April 2013. Web. February 2016.